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As Hollywood바카라 게임 웹사이트™s strikes hit Labor Day, how studio chiefs misread the writers room

As Hollywood바카라 게임 웹사이트™s strikes hit Labor Day, how studio chiefs misread the writers room
Um we're dealing with exactly the same issues as SAG um over here with our negotiations and they have our full solidarity with their claim and they really have been boxed into *** corner by the producers. Nobody uh goes on strike uh willingly or um with, with, with great enthusiasm. Um But clearly after the first three or four days that, that, that their members are strongly determined to win the big impact over here, you are likely to start seeing in the coming months if the dispute becomes protracted, um S *** will be less willing to agree and we're entirely supportive of that position um agenda permitting their members to work abroad. Um And that's what has to happen. And so there will be *** slow reduction in the amount of American talent that's available for production over here. Um And the suggestion which I know has been in some parts of the world that uh uh production could move from the United States to Europe or the UK. Um And that we would tolerate that. Well, that's not gonna happen and we're gonna use every legal means possible to prevent it. So the longer the dispute goes on the bigger the effect that people will see. But the people who will suffer the most from that will be the producers. Hey, hey, Bread Green has got to go, hey, hey, the producers could end this dispute tomorrow. Um That, that, you know, s *** doesn't want to be on strike. Um But they've got *** clear set of asks, *** clear set of demands and both sides managed to move quite constructively in the early days of the negotiations. I was over there. I, I saw that myself but there has to be *** point where we say, well, if not now, when, um, and it's very clear that billionaire producers could afford to meet that claim perfectly reasonably. So it's really down to them. Um, and yeah, I mean, I don't know whether it will go on for weeks or months in all honesty, but we are prepared for the long fall and frankly, it, this, this dispute has been going on for less than four days now and we've already seen it. It's sort of devastating consequences.
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As Hollywood바카라 게임 웹사이트™s strikes hit Labor Day, how studio chiefs misread the writers room
If Hollywood studio chiefs have a reputation as skilled dealmakers, a Labor Day that finds their key employees still out on strike after four months underscores just how badly they misread the writer's room.Video above: Hollywood strike fan questions answeredThe history of Hollywood labor actions has seen major companies rely on their deeper pockets to absorb the pain and wait out their employees. Arguably, that advantage appears even more pronounced today, with the studios joined at the bargaining table by huge corporations like Amazon and Apple, which operate their own streaming services as they expand into the programming game. The studios, whose Alliance of Motion Picture and Television Producers is known as the AMPTP (of which CNN parent Warner Bros. Discovery is a member), clearly seem to have anticipated that scenario unfolding in these negotiations. Whether true or not, the perception that the goal was to crush guild resistance was stoked by a now-notorious quote attributed to an anonymous executive on the trade website Deadline, 바카라 게임 웹사이트œThe endgame is to allow things to drag on until union members start losing their apartments and losing their houses.바카라 게임 웹사이트What the studios somehow missed, or chose to ignore, was the shared belief by the guilds representing writers and actors that this represents an inflection point for the entertainment industry, forcing them to take a stand now. So rather than shaking their resolve, such inflammatory sentiments strengthened it, based on the assumption that it바카라 게임 웹사이트™s better to bite the bullet and stick together now, hoping to avoid another extended work stoppage over the next contract, or the one after that. Indeed, writers and actors have rallied around the notion their current sacrifices will benefit not just them but the generations that follow them. As a model for that, they point to 1960 바카라 게임 웹사이트“ the last time the Writers Guild and Screen Actors Guild struck at the same time when Ronald Reagan was president of the latter 바카라 게임 웹사이트“ that yielded signature concessions regarding residuals, or performers sharing in studio revenue over time.While studios might not have much credibility when it comes to pleading poverty, they have a point fretting about the future. The shift toward streaming has upended the traditional consumption of both movies and television, casting dark clouds over their business.Disney CEO Robert Iger 바카라 게임 웹사이트“ usually one of the most polished corporate leaders 바카라 게임 웹사이트“ gave the guilds billboard fodder by seeking to drive home that warning, telling an interviewer what they바카라 게임 웹사이트™re seeking is 바카라 게임 웹사이트œnot realistic,바카라 게임 웹사이트 citing the fragility of the current climate. It바카라 게임 웹사이트™s hard to deny that Hollywood 바카라 게임 웹사이트“ whose fortunes have often been built and shaken by new technology 바카라 게임 웹사이트“ has reached another crossroads. Although writers and actors can legitimately say that the current streaming-driven malaise isn바카라 게임 웹사이트™t their fault, it is their problem too, especially if the companies cut back on production, which is a legitimate concern.Still, executives like Iger have become poor messengers for fiscal responsibility. Guild leaders shrewdly turned the conversation back to studio bosses바카라 게임 웹사이트™ stratospheric income levels, citing, for example, the $50 million earned by Netflix CEO Ted Sarandos in 2022, prompting a non-binding shareholder vote rejecting the company바카라 게임 웹사이트™s executive-compensation packages in June.While minutia about residual payments and how many writers a streaming series employs don바카라 게임 웹사이트™t lend themselves to debate in the court of public opinion, the studios do appear to have lost that battle, as traditional efforts to undermine support for 바카라 게임 웹사이트œgreedy바카라 게임 웹사이트 actors and writers 바카라 게임 웹사이트“ whose best-paid members earn millions as well 바카라 게임 웹사이트“ have largely failed.In terms of public perception, Los Angeles Times columnist Mary McNamara argued persuasively that the studios have already lost the PR war, signaling that it바카라 게임 웹사이트™s time to swallow their collective pride and make a deal.Of course, meeting most of the guilds바카라 게임 웹사이트™ demands will cost the studios additional millions each year, likely heightening financial pressures that have already resulted in layoffs and spending cuts. In that sense, settling the strikes won바카라 게임 웹사이트™t necessarily put an end to Hollywood바카라 게임 웹사이트™s growing (or perhaps more accurately, shrinking) pains.Yet if these giant companies still think making movies and TV shows, whatever the challenges, is a business worth being in, they바카라 게임 웹사이트™re going to need somebody to write and act in them. And while guild members would love to get back to work, the one thing they바카라 게임 웹사이트™re not going to do after months on the picket lines, whatever the studio바카라 게임 웹사이트™s strategic game plan when the strike began, is roll over and play dead.

If Hollywood studio chiefs have a reputation as skilled dealmakers, a Labor Day that finds their key employees after four months underscores just how badly they misread the writer's room.

Video above: Hollywood strike fan questions answered

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The history of Hollywood labor actions has seen major companies rely on their deeper pockets to absorb the pain and wait out their employees. Arguably, that advantage appears even more pronounced today, with the studios joined at the bargaining table by huge corporations like Amazon and Apple, which operate their own streaming services as they expand into the programming game.

The studios, whose Alliance of Motion Picture and Television Producers is known as the AMPTP (of which CNN parent Warner Bros. Discovery is a member), clearly seem to have anticipated that scenario unfolding in these negotiations. Whether true or not, the perception that the goal was to crush guild resistance was stoked by a now-notorious quote attributed to an anonymous executive on the trade website , 바카라 게임 웹사이트œThe endgame is to allow things to drag on until union members start losing their apartments and losing their houses.바카라 게임 웹사이트

What the studios somehow missed, or chose to ignore, was the shared belief by the guilds representing writers and actors that this represents an inflection point for the entertainment industry, forcing them to take a stand now. So rather than shaking their resolve, such inflammatory sentiments strengthened it, based on the assumption that it바카라 게임 웹사이트™s better to bite the bullet and stick together now, hoping to avoid another extended work stoppage over the next contract, or the one after that.

Indeed, writers and actors have rallied around the notion their current sacrifices will benefit not just them but the generations that follow them. As a model for that, they point to 1960 바카라 게임 웹사이트“ the last time the Writers Guild and Screen Actors Guild struck at the same time when Ronald Reagan was president of the latter 바카라 게임 웹사이트“ that yielded signature concessions regarding residuals, or performers sharing in studio revenue over time.

While studios might not have much credibility when it comes to pleading poverty, they have a point fretting about the future. The shift toward streaming has upended the traditional consumption of both movies and television, casting dark clouds over their business.

Disney CEO 바카라 게임 웹사이트“ usually one of the most polished corporate leaders 바카라 게임 웹사이트“ gave the guilds billboard fodder by seeking to drive home that warning, telling an interviewer what they바카라 게임 웹사이트™re seeking is 바카라 게임 웹사이트œnot realistic,바카라 게임 웹사이트 citing the fragility of the current climate.

It바카라 게임 웹사이트™s hard to deny that Hollywood 바카라 게임 웹사이트“ whose fortunes have often been built and shaken by new technology 바카라 게임 웹사이트“ has reached another crossroads. Although writers and actors can legitimately say that the current streaming-driven malaise isn바카라 게임 웹사이트™t their fault, it is their problem too, especially if the companies cut back on production, which is a legitimate concern.

Still, executives like Iger have become poor messengers for fiscal responsibility. Guild leaders shrewdly turned the conversation back to studio bosses바카라 게임 웹사이트™ stratospheric income levels, citing, for example, the $50 million earned by Netflix CEO Ted Sarandos in 2022, prompting a non-binding shareholder vote rejecting the company바카라 게임 웹사이트™s executive-compensation packages in June.

While minutia about residual payments and how many writers a streaming series employs don바카라 게임 웹사이트™t lend themselves to debate in the court of public opinion, the studios do appear to have lost that battle, as traditional efforts to undermine support for 바카라 게임 웹사이트œgreedy바카라 게임 웹사이트 actors and writers 바카라 게임 웹사이트“ whose best-paid members earn millions as well 바카라 게임 웹사이트“ have largely failed.

In terms of public perception, argued persuasively that the studios have already lost the PR war, signaling that it바카라 게임 웹사이트™s time to swallow their collective pride and make a deal.

Of course, meeting most of the guilds바카라 게임 웹사이트™ demands will cost the studios additional millions each year, likely heightening financial pressures that have already resulted in layoffs and spending cuts. In that sense, settling the strikes won바카라 게임 웹사이트™t necessarily put an end to Hollywood바카라 게임 웹사이트™s growing (or perhaps more accurately, shrinking) pains.

Yet if these giant companies still think making movies and TV shows, whatever the challenges, is a business worth being in, they바카라 게임 웹사이트™re going to need somebody to write and act in them. And while guild members would love to get back to work, the one thing they바카라 게임 웹사이트™re not going to do after months on the picket lines, whatever the studio바카라 게임 웹사이트™s strategic game plan when the strike began, is roll over and play dead.